An update on work in progress… Total VFX production on the short film 'We May Be Shadows'. Including VFX supervision of the Greenscreen shoot, 3D Camera Tracking of 60+ steadycam shots; modeling, texturing and lighting of CGI Backgrounds; Keying; Compositing; and visual treatment of the shadow characters.

More updates to come soon. Find out more abot the film here

Directed by Paul Dudbridge

Produced by Paul Dudbridge for Hanover Pictures

Part of a team of Compositors working on over 500 shots for Aardman on the Tate Movie Project film 'The Itch of the Golden Nit. Read all about it here

2D and 3D After Effects compositing of CelAction animation with illustrated backgrounds.

Where you can watch it: Screenings

Directed by Sarah Cox

Produced by Helen Argo for Aardman Animation

Client: Tate

Greening the Blue

Compositor on a mini web series entitled Greening the Blue, produced for the UN to encourage staff to be more energy efficient.

2D and 3D After Effects compositing of flash animation with illustrated backgrounds. Title Design.

Click here to view the embedded video.

Directed by Miki Cash

Produced by Wonky Films

Client: United Nations – Greening the Blue campaign

I am a freelance compositor available for work in Bristol, London and the rest of the world.

I have over 6 years professional experience of working on everything from Hollywood feature films to TV broadcast, commercials and web animation.

I’m proficient in most major compositing software, including Nuke, Fusion and After Effects. I’m also skilled in Photoshop, Cinema 4D, PFTrack and Boujou.

Newsround - Caught in the Web

Senior compositor for the Newsround special ‘Caught in the Web’. Creation of the intro sequence and over 100 visual effects shots involving screen replacements, animated 3D text, tracking, effects and transitions.

Animation and Effects Directed by Miki Cash

Animation and Effects Produced by Wonky Films

Client: Newsround – Caught in the Web / BBC / Directed by Richard Turley

Mother of Many

Winner of the Best Short Animation BAFTA 2010 – Well done Emma!

Compositing on the short film Mother of Many. Combining Flash animation with printed and filmed textures.

Click here to view the embedded video.

Directed by Emma Lazenby

Produced by Sally Arthur for Arthur Cox Ltd

Commissioned by UK Film Council, South West Screen and 4mations

Irn Bru - Sir Swigs a Lot

Compositing and effects for the Irn Bru commercial ‘Sir Swigs a Lot’. I had to make it look like an animated character was drinking from a real glass of Irn Bru, apply turning pages to an already rendered CGI book and create a few effects.

Click here to view the embedded video.

Directed by Felix Massie

Produced by Arthur Cox Ltd

Agency: The Gate / The Leith

Client: Irn Bru / A.G. Barr

Stay and Stare - Music Promo

Animation and compositing of a music promo for the band Red Velvet. Created by mimicking the effect of a real zoetrope within 3D after effects.

Click here to view the embedded video.

Directed by Mark Simon Hewis

Produced by Arthur Cox

Client: Red Velvet

The End of the Line

Creation of the title sequence and graphical inserts for the recent feature documentary The End of the Line.

Titles and Graphics Directed by Sarah Cox

Titles and Graphics Produced by Arthur Cox Ltd

Client: The End of the Line – directed by Rupert Murray, produced by Claire Lewis, based on the book by Charles Clover

Little Face

Compositing of over 100 shots combining CGI and live action, for the short film Little Face

Nathan’s job has nothing to do with dinosaurs. This makes Little Face sad.

Click here to view the embedded video.

Written, Directed and Animated by Matthew Walker,
Co-Directed by Benjamin Lole for Digital Shorts 08.
Produced by Calling the Shots
Featuring Adam Buxton as Nathan.

Commissioned by UK Film Council and South West Sreen